Chadwick always seemed larger than life. His infectious smile lit up the screen and sort of just warmed your heart. His work inspired us to dream, to dare, to be more. 42 was the first film about black history in America that I ever saw, and when Black Panther was released in 2018, I had never been more proud to be black.
Chadwick was the epitome of black excellence. He showed us that being black is a gift long before the world said it was okay to be black.
Chadwick, thank you. It was a privilege to watch you. We will miss you on our screens. We will miss you in our hearts, but I couldn't be more thankful that you are in a better place where colon cancer can never hurt you again. You're with the One who loves you more than life itself and that makes me happy.
Adekunle Gold's transformation from Adékúnlé Gold of Gold, his debut album, to AG Baby of Afro Pop, Vol. 1 is a curious case of Benjamin Button syndrome. You know...because he aged his image backwards. He even has "baby" in his new moniker. 😂
But this transformation, this reverse-aging, is not necessarily a bad thing. I loved the Adékúnlé Gold of Gold and so did my parents. His sound transcended generations such that every time we were on a long drive, my dad would request his album with excitement. However, his new sound is transcendent, in its own way. After all, it is very telling of Adekunle's talent that he is able to transform so radically and yet, remain quite relevant.
Let's see what he packed into this album, shall we?
Before Twice As Tall began streaming, I had read quite a few reviews - all of them brimming with praise for Burna Boy's latest body of work. Then I listened to the album and I couldn't quite believe my ears. This is it? I wondered aloud to myself and my brother as the album played loudly on the car stereo. But I swallowed my disillusion and decided to listen again. This time, I sat with my headphones and my fingers poised above the keyboard:
Twice As Tall? You decide.
Laughter, Tears & Goosebumps is a tough act to follow. I didn't actually review it, but I don't think I needed to: we were all kind of in awe of Fireboy DML's genius.
APOLLO is miles away from Laughter, Tears & Goosebumps and I have mixed feelings about that. In some ways, that's a great thing because #growth, yet I can't help feeling nostalgic for the magic and, dare I say innocence, embodied in his debut album. Let's review the album track by track, shall we?
All posts by Ronke (unless otherwise indicated)